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DateLecture
28 February 2019Mantegna and Bellini
24 January 2019Temples, Tombs and Treasures: In Search of the Queen of Sheba
22 November 2018The Age of Jazz
25 October 2018Painters in Paradise: Visions of French Indochina
20 September 2018The Secret Language of Sacred Places: Religious Architecture of the World
26 July 2018The Visual Feast of Raoul Dufy
28 June 2018Tapestries: The ultimate wall decoration
24 May 2018Medieval Illuminated Books of Hours
26 April 2018The History of the Harp - from Mediterranean Antiquity to C20th Europe
22 March 2018Colour
22 February 2018Urban Noir: Edward Hopper's “Nighthawks”
25 January 2018Hidden Canvases - Street Art and the City
23 November 2017Getting under their Skins - Finding character and story in Renaissance art
26 October 2017Travellers Among Mountains and Streams - Masterpieces of Chinese Landscape Painting
28 September 2017The Partnership of Gertrude Jekyll with Edwin Lutyens
27 July 2017Peter the Great of Russia: building St Petersburg
22 June 2017The Challenge of Cubism and its legacy on twentieth century art
25 May 2017Germany's post-WW2 culture of memorials and counter-memorials
27 April 2017Tintoretto and the Scuola di San Rocco
16 March 2017‘Mars and the Muses’: The Renaissance Art of Armour
23 February 2017The Consolation of Movement -- The Sculpture of Edgar Degas and Auguste Rodin (Lecture sponsored by Clifton Ingram Solicitors)
26 January 2017The Legendary Lee Miller
24 November 2016Life and Art in Georgian Dublin
27 October 2016Who Says? Can We Trust the Expert on Good and Bad Art? (Lecture sponsored by Clifton Ingram Solicitors)
22 September 2016Early Flemish Painting and the Discovery of Oils
28 July 2016Thomas Heatherwick -- the modern Leonardo?
23 June 2016Tibet and the Roof of the World
26 May 2016Picasso and his Women
28 April 2016Paintings inspired by music, Music inspired by paintings
24 March 2016From Leonardo to You
25 February 2016The New Ashmolean
28 January 2016The formation of an English art style -- Hogarth and the St Martin's Lane Academy
26 November 2015Carl and Karin Larsson and the IKEA Effect
22 October 2015The Gate of Heroes -- on the China Trail
24 September 2015Aboriginal Art
23 July 2015Satirist to Insanity: celebrating the life and works of James Gillray (1756-1815)
25 June 2015Faber and Faber
28 May 2015The London Skyline
23 April 2015Italian Mosaics, Pompeii, Rome, Ravenna, Sicily, and Venice
26 March 2015Diaghilev and the Ballets Russes
26 February 2015Art of the First World War
22 January 2015William Morris, Philip Webb, and the Founding of the Building Conservation Movement
27 November 2014Joys of Impressionism
23 October 2014The Shakers of North America
25 September 2014Treasures of the Royal Collection
22 May 2014Introductory Free Meeting! From Egg to Bacon: British Painting 1850-1950

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Mantegna and Bellini Paula Nuttall Thursday 28 February 2019

Please note that this lecture will take place in Salisbury Hall.

Andrea Mantegna and Giovanni Bellini were brothers-in-law and among the most celebrated painters of their day. While Mantegna's Paduan origins and subsequent career at the Gonzaga court in Mantua fuelled his interest in classical antiquity, Bellini's Venetian background conditioned his feeling for colour and light. This lecture explores the intriguing artistic relationship of these two renaissance giants, often seen in contrast to one another, but who in fact shared much common ground. This lecture will complement and elaborate on the National Gallery exhibition of the works of Mantegna and Bellini on display from October 2018 to 27th January 2019.

Paula Nuttall is Director of the Victoria and Albert Medieval & Renaissance Year course. She is author of From Flanders to Florence: the Impact of Netherlandish Painting 1400-1500 (Yale, 2004). She was a member of the Scientific Committee for the exhibition Firenze e gli antichi Paesi Bassi at the Pitti Palace, Florence (2008), and co-curated the exhibition Face to Face: Flanders, Florence and Renaissance Painting at the Huntington Art Collection, San Marino, California (2013). She also lectures for the Courtauld Institute, Christie's Education, the Art Fund and the National Gallery. She was formerly lecturer at the British Institute of Florence.